Journeys End Courseowkr Essay

Explain the ways in which R. C. Sherriff conveys a sense of the hatred of contend in Journeys End with detailed reference to triplet extracts from the shirk. How could a film film director enhance this sense of revulsion on the screen? Journeys End, the s fifty-fiftyth most famous play written by R. C Sherriff in 1929, set in Saint-Quentin, France, in 1918, gives us instruct glimpse into the experiences of the officers of a British Army infantry company in World War I by presentation us 6 days in a dug disclose of the front stock.It is close a 21 year ageing Captain Stanhope, and after having spent about common chord years in the trenches without any significant leave, has taken to drink heavily to control his nerves and to ease the stress of trench warf ar. The play brings us through existencey disparate themes and genres throughout, from death, to passion and friendship, comadeship, to class, and the scarring effects of war, and to the horrors of war. What interest s me is that the play stays simply on the single set of what is the dugouts.They ar dark, underground rooms whither the officers of a British company eat, sleep and talk about what is red ink on in the trenches just outside, yet you can still, yourself, experience what the war was the ilk. You are non faced with your usual heroic commander who saves the day in the end, instead there is Stanhope, a heavy drinker, affected by triad years of war. And the play doesnt have courageous battle convulsions and Brobdingnagian explosions, or a valiant death bed scene.Instead, the horrors of war are portrayed through the waiting and the suspense of not knowing whats outlet to happen next, the causes laborious to find trade protection and comfort in anyway possible, the way they would do anything to yield out of there. Fear and cowardice is shown a lot in this play, which is in truth different from your usual courageous soldiers, ready for battle. The authenticity of the play is wh at makes it original. It factually shows what genuinely went on in the trenches.A particular, during act two, the audience experience a one of the soliders, Hibbert, trying to subscribe out of the war but pretension that he had neuralgia. Hibbert is becoming effected from the war, and is generally scared of having to go up and fight. By now in the play, the manpower are expecting an attack in about two days, and as it draws closer, Hibbert is becoming more nervous and terrified. At first, he tries hinting the fact that he is supposedly ill towards the commander, Stanhope, but in the end, he or so impatiently declares that he has to go down the line to a hospital, when he says Its no good.Ive tried demonic hard, but I must go down. Stanhope, a commander three years, has already seen this sort of behaviour and many another(prenominal) men trying to get out of going to battle, and obviously sees past this or does not think that neuralgia is an excuse to go to hospital. The sce ne goes on to the point where Stanhope and Hibbert get into a struggling fight, where Hibbert asks Stanhope to shoot him. This shows the horrors of war because the character Hibbert is desperate to get out and go kinsperson because he knows that the attack is near.Its not the actual war and the actual battle that is particularly horrifying, but having to wait for it, knowing that its going to happen, and being not completely one hundred percent for sure that youre going to come out alive is what is haunting Hibbert. The director could develop the horror of this scene on the screen by do the sounds of the distant guns and explosions a bit more taunting, almost as if Hibbert is get more and more scared as the attack comes closer.Hibbert should also be shorter than Stanhope because Stanhope is more of an intimidating figure who is in charge, whilst Hibbert is a cowering soldier trying to get home. The actor playing Hibbert shout also be stuttering, not sure what to say or do becaus e Stanhope is telling him that No mans sent down unless hes very ill. theres nothing wrong with you. Hibbert is inconsolable and should be acting like hes trying to make up more excuses why he should be sent home, almost pleadingly, as he says lines like Stanhope if only you knew how awful I feel Please do let me go by -. Hibbert gets very distressed and says things like What the hell- and Stanhope and him get into a fight. Stanhope should be stronger and more skilled than Hibbert as he is trying to get away and disobey him, so the thrusting and the struggles from Hibbert should be pathetic and weak, quivering, and Stanhope should be firm and almost unfazed. The whole point of this scene is having to face verity and not really believing what you waited for, for so long, and feared was going to finally happen.The lighten up should be dark and there should be shadows on Hibberts face, showing how distraught he is and perhaps the lack of sleep. There should be a lot of close up shots as well to see character reactions, and some long shots to show the characters difference and maybe, their similarity, how they are both afraid but are reacting but are handling it in different ways. A lot in the play, we see a lot of how the men cope with the dread of being in the war, and the forthcoming attacks.The constant talk of food whenever the topic of attacks and the war comes into the colloquy, Stanhopes alcohol addiction problems, and pretending they have illnesses so they could have a shot at trying to go home. Osborne is seen as an uncle figure between the officers for his avuncular manner, and at one point in the play, Osborne is reading an extract from Lewis Carrolls Alice in Wonderland. capital of North Carolina questions him on why he is reading a childrens book which doesnt make sense, but it seems that Osborne is comforting himself by going back to times where he was safe and near in his childishness memories.Before Osborne reads the extract from Ali ce In Wonderland, capital of North Carolina and him were talking about the raid, possibly lots of dramatic pauses, trying to avoid eye contact, when Osborne quickly changes the arena and reads more of Alice In Wonderland, leading them into a completely different conversation about Raleighs home town. This scene should be acted as if Osborne is showing his first vulnerability in the play, taking comfort in his childhood memories, when he was away from the war, and in a safe and secure environment.When Raleigh comes over, he tries to adopt his fatherly figure. Raleigh is still very new to all this, so he is very naive and almost acts as if he is looking forward to this raid. The actors should say the lines from Alice In Wonderland as if they were haunting and not comforting at all. Osborne and Raleigh should be rather awkward and trying to avoid eye contact, sadly contemplating what they miss. Another horror of war portrayed in this play is the lack of certain possessions and things that the men cannot have whilst in the dug out.It being good food, comfort, sleep and redden women. Throughout the play, the men are constantly referring back to food or their lives back home, and at one point, looking at pictures of naked women together. In the war, the men are deprived from these things. The deaths of two of the most important characters in the play Osborne, the paternal figure, and Raleigh, the figure of innocence and naivety are exceedingly important, as are their effects on Stanhope and are some other horror of war.When Raleigh is dying from a shell hitting his back, he is paralysed, and is with Stanhope in his dying moments. Stanhope, who, from his drinking and paranoia, had always been very distant and cold towards Raleigh because he thought that he could write home to his sister about how much of a wreck he was, was now showing a new and comforting side of himself, calling Raleigh Jimmy and old boy. Even now, Raleigh is naive, thinking that there is som ething on his legs as he cannot move them, saying that he is feeling rotten, lying down here when everyone else is up there. By now, Stanhope would be desperately trying to comfort Raleigh, hoping that he would get lucky and possibly survive his injury, but through this scene you can tell that Raleighs voice is getting even more distant and softer as he is slowly getting weaker. The luminance should be soft and with some shadows to represent Raleighs attenuation life and the sound of the raid should still be going on. When Raleigh dies, Stanhope is left alone to face the rest of the war on his own, another revulsion of war. This student written piece of work is one of many that can be found in our AS and A level War Poetry section.